Sunday, November 20, 2011

Easy

  • Jamie Harris (Marguerite Moreau) is a 25-year-old self-proclaimed jerk magnet. After determining not to spend the rest of her life as the easy chick, she gets involved in a romantic triangle with 2 great guys (2004 Tony winner Brian F. O Byrne and Lost s Naveen Andrews), only to discover that love is anything but easy. Format: DVD MOVIE Genre: COMEDY Rating: NR Age: 025192
Jamie Harris (Marguerite Moreau) is a 25-year-old self-proclaimed "jerk magnet." After determining not to spend the rest of her life as "the easy chick," she gets involved in a romantic triangle with 2 great guys (2004 Tony winner Brian F. O'Byrne and "Lost's" Naveen Andrews), only to discover that love is anything but easy.

The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America

  • ISBN13: 9780375725609
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Trapped in an elevator high above Philadelphia, five people discover that the Devil is among them â€" and no one can escape their fate. This chilling, supernatural thriller from M. Night Shyamalan (The Sixth Sense, Signs) will keep you on the edge of your seat all the way to a heart-stopping ending with a truly wicked twist.Five people trapped in an elevator, and one of them is the Devil--it's an intriguing launch pad for a movie, and in the hands of producer M. Night Shyamalan, it has all the makings of a first-class supernatural thriller. Unfortunately, Shyamalan's concern is more with the mechanics of the story--how to pull off that celebrated final-act switcheroo--than in presenting flesh-an! d-blood characters or dialogue that reeks of pulp. There's a moral high-handedness to the proceedings that's also off-putting--there's a reason why these five strangers are trapped in the lift, and why Detective Messina (the very likable Chris Messina from Julie & Julia) is summoned to rescue them, and why every character is set in motion in Shyamalan's Skinner box of a plot, but it hinges on very well-worn territory, which bites deeply into the story's novel conceit. The cast is uniformly fine--in addition to Messina, there are fine turns by such underrated actors as Bokeem Woodbine, Jenny O'Hara, Geoffrey Arend (in the elevator), and Matt Craven and Caroline Dhavernas (outside)--and the direction by John Erick Dowdle (Quarantine), who coproduced with brother Drew and Shyamalan, does an impressive job of keeping the action fluid in the confines of the setting. But the central conceit of Devil is comic book material tarted up as an event picture, which ! doesn't elicit much hope for the rest of Shyamalan's Night ! Chronicl es trilogy, of which this is the first entry. --Paul GaitaTrapped in an elevator high above Philadelphia, five people discover that the Devil is among them â€" and no one can escape their fate. This chilling, supernatural thriller from M. Night Shyamalan (The Sixth Sense, Signs) will keep you on the edge of your seat all the way to a heart-stopping ending with a truly wicked twist.Five people trapped in an elevator, and one of them is the Devil--it's an intriguing launch pad for a movie, and in the hands of producer M. Night Shyamalan, it has all the makings of a first-class supernatural thriller. Unfortunately, Shyamalan's concern is more with the mechanics of the story--how to pull off that celebrated final-act switcheroo--than in presenting flesh-and-blood characters or dialogue that reeks of pulp. There's a moral high-handedness to the proceedings that's also off-putting--there's a reason why these five strangers are trapped in the lift, and why Detecti! ve Messina (the very likable Chris Messina from Julie & Julia) is summoned to rescue them, and why every character is set in motion in Shyamalan's Skinner box of a plot, but it hinges on very well-worn territory, which bites deeply into the story's novel conceit. The cast is uniformly fine--in addition to Messina, there are fine turns by such underrated actors as Bokeem Woodbine, Jenny O'Hara, Geoffrey Arend (in the elevator), and Matt Craven and Caroline Dhavernas (outside)--and the direction by John Erick Dowdle (Quarantine), who coproduced with brother Drew and Shyamalan, does an impressive job of keeping the action fluid in the confines of the setting. But the central conceit of Devil is comic book material tarted up as an event picture, which doesn't elicit much hope for the rest of Shyamalan's Night Chronicles trilogy, of which this is the first entry. --Paul Gaita

Erik Larsonâ€"author of #1 bestseller In the Garden of Beastsâ€"intertwines the true tale of the 1893 World's Fair and t! he cunni ng serial killer who used the fair to lure his victims to their death. Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction.

Author Erik Larson imbues the incredible events surrounding the 1893 Chicago World's Fair with such drama that readers may find themselves checking the book's categorization to be sure that The Devil in the White City is not, in fact, a highly imaginative novel. Larson tells the stories of two men: Daniel H. Burnham, the architect responsible for the fair's construction, and H.H. Holmes, a serial killer masquerading as a charming doctor. Burnham's challenge was immense. In a short period of time, he was forced to overcome the death of his partner and numerous other obstacles to construct the famous "White City" around which the fair was built. His efforts to complete the project, and the fair's incredible success, ar! e skillfully related along with entertaining appearances by such notables as Buffalo Bill Cody, Susan B. Anthony, and Thomas Edison. The activities of the sinister Dr. Holmes, who is believed to be responsible for scores of murders around the time of the fair, are equally remarkable. He devised and erected the World's Fair Hotel, complete with crematorium and gas chamber, near the fairgrounds and used the event as well as his own charismatic personality to lure victims. Combining the stories of an architect and a killer in one book, mostly in alternating chapters, seems like an odd choice but it works. The magical appeal and horrifying dark side of 19th-century Chicago are both revealed through Larson's skillful writing. --John Moe
!

Gran Torino

  • GRAN TORINO (DVD MOVIE)
A disgruntled Korean War vet, Walt Kowalski (Eastwood), sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski's prized possession: his 1972 Gran Torino.Clint Eastwood's Gran Torino, an unassuming picture shot during a post-production lull on his elaborate period piece Changeling, was quietly rolled out at Christmastime 2008, whereupon it proceeded to blow away all the Oscar-bait behemoths at the box office and win its 78-year-old star the best reviews of his acting career. Both film and performance are consummately sly--coming on with deceptive simplicity, only to evolve into something complex, powerful, and surprisingly tender. Just as Unforgiven was a tragic reflection on Eastwood's legacy in the Western genre, Gran Torino caps and eloquently critiques the urban heritage of Dirty Harry and his violent ! brethren. And on top of that, the movie becomes a savvy meditation on America in a particular historical moment, racially, economically, spiritually. Call it a "state of the union" message. But call it that with a wry grin.

The latest Dirty Harry is actually a grumpy Walt: Walt Kowalski (Eastwood playing his own age), widower, Korean War veteran, retired auto worker, and the last white resident of his Detroit side street. It's hard to say who irks him more--his blood kin (a pretty lame bunch) or the Hmong families who are his new neighbors. Kowalski's a racist, because it has never occurred to him he shouldn't be. Besides, that's the flipside of the mutual ethnic baiting that serves as coin of affection for him and his working-class buddies. Circumstances--and two young people next door, the feisty Sue (Ahney Her) and her conflicted brother Thao (Bee Vang)--contrive to involve Walt with a new community, and anoint him as its hero after he turns his big guns on some ruffi! ans. The trajectory of this may surprise you--several times ov! er. East wood opted to film in economically blighted Detroit--a shrewd decision, but it's his mapping of Walt's world in that classical style of his that really counts. Every incidental corner of lawn, porch, and basement comes to matter--and by all means the workshop/garage that houses the mint-condition Gran Torino which Walt helped build in a more prosperous era. This is a remarkable movie. --Richard T. Jameson

Crazy Like a Fox

  • A Cinequest release
  • Special Features Theatrical Trailer and cinequest trailers
  • Cannes winner
The inspiring true story of "one of the country's finest educators" (National Review) and the school he changed forever.

Under the leadership of highly unorthodox principal Dr. Ben Chavis, Oakland's American Indian Public Charter School was hailed as an "education miracle" by governor Arnold Schwarzenegger after it was transformed from a failing "nuisance" into one of the best public middle schools in the nation.

This is the story of that transformation and of a man who dared to be different. With his rigorous, no-nonsense approach, Dr. Chavis debunks the myth that poor, minority, inner-city schools have little chance at academic excellence. Focusing on back-tobasics ideals, he has created a structured educational model that, combined with the enthusias! m of his students and teachers, delivers astounding results.

In Crazy Like a Fox, Dr. Chavis recounts how he did it-in his own words and through the stories of the extraordinary young people he's helped.Similes set off an exciting chase scene in an adventure in language arts. Rufus the fox is up to something. He runs across the meadow as fast as lightning, sneaks up to Babette like a thief in the night, and roars like a lion. Babette, mad as a hornet, chases Rufus all over town. But is Rufus being chased or is he actually leading Babette to a surprise destination? Rufus sure is crazy--crazy like a fox! Sure to make the reader as happy as a clam, this bright simile story also includes a clear explanation of similes and shows how to include similes in a story.How brutal is the cable news business? When Fox News CEO Roger Ailes learned that Paula Zahn was negotiating with archrival CNN, Ailes fired Zahn immediately. When a reporter pointed out that Zahn had boo! sted ratings for Fox, Ailes replied, “I could have put a dea! d raccoo n on the air this year and gotten a better rating than last year.”

Crazy Like A Fox tells one of the most dramatic business stories of the past decadeâ€"the war over cable news. In 1991, with its coverage of the first Gulf War, Ted Turner’s CNN reinvented the television news business and became a global brand name. In 1995, NBC and Microsoft pooled their enormous resources to create MSNBC. But by 2003, both had been dwarfed in the ratings by Rupert Murdoch’s seven-year-old Fox News Channel. How did Fox News pull off this amazing victory and how is its successâ€" and its alleged right-wing slantâ€"changing the entire media world?

Scott Collins provides a shocking account of corporate arrogance and intrigue, with all the brash personalities and back-room dealings involved in the war for ratings. He offers inside tales about a virtual Who’s Who of American television: not just corporate players like Turner, Murdoch, Ailes, Walter Isaacson, and Bob Wright,! but also on-air talent like Paula Zahn, Bill O’Reilly, Connie Chung, Phil Donahue, Sean Hannity, Greta Van Susteren, and Larry King. Collins also shows what happened behind the camera during the biggest news stories of our time, including the 2000 election, September 11, and Gulf War II.Margaret Jaffrey is a young widow who moves in with her dead husband's eccentric family so her nine-year-old daughter can have a better life. Soon Margaret finds herself seduced by the atmosphere, the slower pace and Peter Andrew Jaffrey, the cousin of her deceased husband.When big-city speculators chest farmer Nat Banks out of his Virginia farm, he won't take you're evicted for an answer. Temporarily losing his mind, he creates a new home for himself in a cave near the creek on his former property. Leaving his family but not the farm, Nat inspires a community-wide rebellion as he fights his way back home. Starring two-time Oscar® Nominated and Emmy® Award-winning actress Mary McDonnell! as Amy and Emmy® Award-winning actor Roger Rees as Nat, Craz! y Like a Fox is an enchanting tale about family and the determination in all of us not to go down without a fight.

The Hunchback of Notre Dame (Signet Classics)

  • ISBN13: 9780451531513
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Here is the haunting drama of Quasimodo, the hunchback; Esmeralda, the gypsy dancer; and Claude Frollo, the priest tortured by his own damnation. Shaped by a profound sense of tragic irony, it is a work that gives full play to the author's brilliant imagination.


After the Wedding

  • AFTER THE WEDDING (DVD MOVIE)
Far from home, Jacob (Casino Royale villain, Mads Mikkelsen), runs a struggling orphanage in one India’s poorest regions. Desperate to save the orphanage from closure, he returns to Denmark to meet Jorgen (Rolf Lassgard) a wealthy businessman and potential benefactor. What appears to be nothing more than a friendly gesture to attend a wedding sets in motion an increasingly devastating series of surprises, revelations, and confessions that will forever change their lives.Equal parts weepy drama and soap opera, After the Wedding is a beautifully filmed story centering on Jacob (Mads Mikkelsen, Casino Royale), a Danish man working at a orphanage in Bombay. Just when funds have run desperately low, Jorgen (Rolf Lassgård)--a wealthy benefactor--promises to donate millions of dollars to the orphanage. But there's a catch. Jacob must collect the fund! s himself in Copenhagen... and attend the wedding of the eccentric millionaire's daughter. But once Jacob meets the benefactor's wife Helene (played by a radiant Sidse Babett Knudsen), it's obvious to the viewer that the two have a complicated history. It’s also likely that her daughter Anna (Stine Fischer Christensen) most probably is theirs. So why did Jorgen invite Jacob to Anna's wedding? Does he know Jacob is Anna's father? Is something nefarious in the works? The thought-provoking film was Denmark's entry for Best Foreign Language Film at the 2007 Academy Awards. Subtitled in English, the Danish picture is well helmed by director Susanne Bier (Brothers), who manages to keep the film from delving into over the top histrionics. Mikkelsen is particularly good, whether he's channeling his anger at having been shut out of his maybe-daughter's life for the past 20 years, or having to grovel a bit to get Jorgen to donate the funds as promised to his orphanage. The r! elationships here are messy and often uncomfortable. But they ! also rin g true to life. --Jae-Ha Kim

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